Ambiguous
发表于 2025-3-23 11:02:36
The Editor(s) (if applicable) and The Author(s) 2018
flaunt
发表于 2025-3-23 17:35:35
Mercedes CaminoElaborates a cultural history of the Holocaust and resistance in WWII.Offers an original treatment of films as historical sources (both primary and secondary).Investigates WWII as a civil war through
越自我
发表于 2025-3-23 19:59:57
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CLASP
发表于 2025-3-23 22:56:14
https://doi.org/10.1057/978-1-137-49969-1history; Holocaust; resistance; World War II; Jews; Cinema
gregarious
发表于 2025-3-24 02:47:02
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Harrowing
发表于 2025-3-24 06:35:58
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使更活跃
发表于 2025-3-24 14:02:11
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Emasculate
发表于 2025-3-24 16:48:40
,The Collaborator (1969–74),occupied countries was embedded in daily life, as much a political option as a form of survival or a means to obtain economic benefits. Although collaboration is often presented cinematically through secondary characters, it becomes the driving force in Bernardo Bertolucci’s . (. 1970), Louis Malle’
行乞
发表于 2025-3-24 20:15:47
,Holocaust Testimony: Survivors, Ghosts and Revenants (1947–2002),t survivors, revenants and witnesses. Their testimonies effectively embody the liminal space between life and death. best exemplified by the . who lives in a ‘state of exception’, as outlined by Levi in . (1947) and defined by Giorgio Agamben. Early films that established witnessing as a sub-genre o
ZEST
发表于 2025-3-24 23:58:23
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