偶然 发表于 2025-3-23 13:24:01

http://reply.papertrans.cn/63/6257/625611/625611_11.png

存在主义 发表于 2025-3-23 17:42:43

http://reply.papertrans.cn/63/6257/625611/625611_12.png

省略 发表于 2025-3-23 19:04:29

http://reply.papertrans.cn/63/6257/625611/625611_13.png

headlong 发表于 2025-3-24 02:13:54

http://reply.papertrans.cn/63/6257/625611/625611_14.png

Embolic-Stroke 发表于 2025-3-24 03:04:56

http://reply.papertrans.cn/63/6257/625611/625611_15.png

勤勉 发表于 2025-3-24 07:41:09

http://reply.papertrans.cn/63/6257/625611/625611_16.png

有说服力 发表于 2025-3-24 12:34:36

http://reply.papertrans.cn/63/6257/625611/625611_17.png

咽下 发表于 2025-3-24 18:13:17

http://reply.papertrans.cn/63/6257/625611/625611_18.png

FLEET 发表于 2025-3-24 19:59:46

http://reply.papertrans.cn/63/6257/625611/625611_19.png

邪恶的你 发表于 2025-3-25 00:50:34

Heroes, Hero-Worshippers and Jews: Music Masters, Slaves and Servants in Thomas Carlyle, Richard War to man’ (O, 398, 397). The musician is at once on a level with ‘the gods’ . the benefactor or servant of ‘man’. For Carlyle, there is no real contradiction here: the master-musician is ‘a friend of the gods’ precisely . he benefits and serves ‘man’. In . (1843), Carlyle clarifies this paradox when
页: 1 [2] 3 4
查看完整版本: Titlebook: Mastery and Slavery in Victorian Writing; Jonathan Taylor Book 2003 Palgrave Macmillan, a division of Macmillan Publishers Limited 2003 Am