松果
发表于 2025-3-26 21:20:53
Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics
pulmonary-edema
发表于 2025-3-27 03:08:20
Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics978-3-030-51641-3
Gyrate
发表于 2025-3-27 08:33:46
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Blemish
发表于 2025-3-27 13:27:59
Martin S. LindauerExamines contribution of mass-produced original painting to the psychology of art, psychological aesthetics, and art criticism.Reveals the particular psychological characteristics of an everyday aesth
审问
发表于 2025-3-27 15:19:15
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G-spot
发表于 2025-3-27 18:39:50
The Psychology of Art: A Research PerspectiveThe possibly good, bad, and neutral influences of exposure to mass-produced original paintings, based on the findings reported in Chap. ., are discussed. Several . experiments on perception, learning, and development are proposed. The methodological advantages of including mass-produced original paintings in studies of art are emphasized.
conquer
发表于 2025-3-28 01:11:40
https://doi.org/10.1007/978-3-030-51641-3psychological aesthetics; psychology of art; creativity; Aesthetics; Popular Art; art history; fine arts; a
Ptsd429
发表于 2025-3-28 04:30:51
The Characteristics of Mass-Produced Original Paintingsces. The work of several well-known popular artists is described (e.g., Thomas Kinkade), as are the anonymous Chinese artists of Dafen village as well as internet artists. The justification for treating mass-produced paintings as originals is discussed.
creatine-kinase
发表于 2025-3-28 08:45:28
Historical and Contemporary Approaches to the Popular Artsustrial Revolution; and the Works Progress Administration ); in contemporary studies in sociology (the artistic preferences of omnivores and univores; high- and low-brow taste cultures; Gans, Bourdieu); and in psychology (sentimental art). The relative neglect of popular paintings in psychology and cultural studies is noted.
conceal
发表于 2025-3-28 13:51:50
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