Gossamer 发表于 2025-3-23 12:41:42
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Under the Dark Sun of Melancholia: Writing and Loss in ,d distinctively postmodernist,” “disjointed and fragmentary, disunified and mediated, entropic and dynamic” (Keulks, 193). More than . or ., however, . should also be defined as large-scale agony fiction in the sense that private, pitiful anxiety is both ruthlessly satirized and heeded for its paradGIBE 发表于 2025-3-24 00:29:30
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,A Reluctant Leavisite: Martin Amis’s “Higher Journalism”,t of D.H. Lawrence, and elitist posturing. In his two articles under the pseudonym of “Bruno Holbrook,” for instance, Amis presents a tongue-in-cheek alternative to Leavis’s dour rhetorical stance and intellectual snobbery. Moreover, Leavis at times appears in Amis’s nonfiction as a kind of synecdocanticipate 发表于 2025-3-24 06:37:00
,Money Makes the Man: Gender and Sexuality in Martin Amis’s ,of the text that focuses on the unstable borders of identity and desire, this essay demonstrates that . subverts the ideology of its bigoted protagonist by deconstructing the heteropatriarchal concepts “woman” and “man” and creating what Judith Butler terms “gender trouble.”无法治愈 发表于 2025-3-24 10:51:47
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Introduction, whose life has veered into celebrity, such evaluations have not always been civil or reciprocally welcomed. However, they have always been lively, always been edifying, and they continue to confirm Amis’s status as one of England’s most important living writers.