Mobile
发表于 2025-3-23 11:51:28
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Condyle
发表于 2025-3-23 15:43:27
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掺假
发表于 2025-3-23 19:00:17
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枕垫
发表于 2025-3-24 00:51:37
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aqueduct
发表于 2025-3-24 03:10:13
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Bph773
发表于 2025-3-24 10:17:17
ussed rivalries in literary history.Examines the critical an.Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific exampl
Charitable
发表于 2025-3-24 11:16:59
,The Seventeenth Century: “Collaboration, Co-Authorship, and the Death of the Author(s)”,rayton and Ben Jonson. I also consider the self-positioning of the latter critics in relation to Marlowe and Shakespeare as “Authors,” as well as their rhetorical structuring of the Marlowe/Shakespeare relationship in order to articulate and validate their own critical positions.
Aerophagia
发表于 2025-3-24 16:20:01
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emission
发表于 2025-3-24 19:57:28
,The Twentieth Century: “Formalization, Polarization, and Fictionalization”,uch as Irving Ribner, who was heavily influenced by the polemics of the Cold War, the chapter concludes with an examination of fictional and cinematic representations of the connection toward the latter part of the twentieth century, including novels by Anthony Burgess, films such as ., and plays like Peter Whelan’s ..
改变
发表于 2025-3-25 03:04:58
Book 2017ights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare’s ghostwriter accelerates due to a climate of conspiracy, including “belief echoes,” which presently permeate our cultural and critical discourse..