etidronate
发表于 2025-3-26 21:40:19
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Adjourn
发表于 2025-3-27 03:04:28
The Lighthousefirmly rooted in a fundamental psychological “need.” To make this explicit, Duchamp plays with his own role as lighthouse, first within the Surrealist group and, later, within the 1950s and 60s art scene where he became an idealized figurehead for a new generation of artists to follow.
赌博
发表于 2025-3-27 07:32:18
The One-Man Show and the Dealerthus allowing it be fitted into a narrative of influence and causality. Duchamp’s crucial point is that the one-man show is supported by the actions of “the dealer” in securing a work’s commercial value. By asking Arturo Schwarz to produce replicas of ., Duchamp exposed this crucial operation that proceeded his art historical recognition.
脊椎动物
发表于 2025-3-27 11:38:49
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辩论
发表于 2025-3-27 15:12:49
Book 2018 expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.
发出眩目光芒
发表于 2025-3-27 18:23:23
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GNAW
发表于 2025-3-27 23:50:46
Art History and Psychoanalysis Todayre limited by institutional priorities that render visible the internal logic of art historical practice: how art history reformulates its interpretative models in order to ensure the stability of an established narrative.
Alcove
发表于 2025-3-28 03:54:37
Duchamp with Lacan through Žižekxical logic of his work’s reception and, in turn, the mechanism underpinning this reception. This justifies the use of a Lacanian-Žižekian model as the strongest interpretative tool available to art historians.
vertebrate
发表于 2025-3-28 09:23:45
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观点
发表于 2025-3-28 12:38:54
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