苦笑
发表于 2025-3-25 06:20:01
erimente erforderlichen biaxialen Versuchseinrichtung breiter Raum gewidmet..Die Motivation für die Durchführung dieses Forschungsvorhabens war das Fehlenvon experimentellen Daten über das Steifigkeits- und Festigkeitsverhalten vonbiaxial, schräg zur Faserrichtung beanspruchtem Fichtenholz ohne Besc
老人病学
发表于 2025-3-25 07:35:47
The Editor(s) (if applicable) and The Author(s) 2018
Muffle
发表于 2025-3-25 14:04:48
https://doi.org/10.1007/978-3-319-69158-9Duchamp; Fountain; conceptual art; anti-art; Modern art; Žižek; Slavoj Zizek; Lacanian theory; Psychoanalysi
cancellous-bone
发表于 2025-3-25 18:31:01
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极小量
发表于 2025-3-25 21:34:56
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姑姑在炫耀
发表于 2025-3-26 00:27:45
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鄙视
发表于 2025-3-26 06:30:39
The Artistent” is thus the gap or distortion in the artist’s statement that draws attention to its broader formal conditions. Aware that the logic of the creative act cannot be stopped, Duchamp attempted to expose these conditions by rendering the art coefficient explicit in his own statements of which . is the purest form.
阐释
发表于 2025-3-26 12:26:20
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侵略
发表于 2025-3-26 16:23:43
The Spectatormp terms “transmutation.” Ultimately, the artist’s statement is understood on the basis of aesthetic priorities so that the art coefficient, the gap indicating the true nature of his activity, is erased. Duchamp attempts to make this operation visible by provoking his “friend” and critic Guillaume Apollinaire into offering a verdict on ..
inspiration
发表于 2025-3-26 17:13:24
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