olfction 发表于 2025-3-28 18:11:10
http://reply.papertrans.cn/59/5888/588725/588725_41.pngopalescence 发表于 2025-3-28 19:05:47
http://reply.papertrans.cn/59/5888/588725/588725_42.pngLignans 发表于 2025-3-29 00:52:59
http://reply.papertrans.cn/59/5888/588725/588725_43.pngconifer 发表于 2025-3-29 06:24:07
http://reply.papertrans.cn/59/5888/588725/588725_44.pngdefibrillator 发表于 2025-3-29 09:02:13
Michael Kühlerother. Drawing on Lacan’s notion of fantasy, this chapter seeks to explore the manner in which we tend posit the nonhuman and how such positing carries with it an always uncertain positing of ourselves. Nowhere is this more deftly presented than in Ridley Scott’s . where the differences presented be骇人 发表于 2025-3-29 12:25:36
Tomáš Hejdukother. Drawing on Lacan’s notion of fantasy, this chapter seeks to explore the manner in which we tend posit the nonhuman and how such positing carries with it an always uncertain positing of ourselves. Nowhere is this more deftly presented than in Ridley Scott’s . where the differences presented be违法事实 发表于 2025-3-29 15:40:20
http://reply.papertrans.cn/59/5888/588725/588725_47.pngbibliophile 发表于 2025-3-29 20:56:06
http://reply.papertrans.cn/59/5888/588725/588725_48.pngmeritorious 发表于 2025-3-30 02:14:22
http://reply.papertrans.cn/59/5888/588725/588725_49.pngPigeon 发表于 2025-3-30 05:53:23
øren Kierkegaard, Martin Heidegger, and Jean-Paul Sartre.. If finding one’s way around in anxiety proves to be so terribly difficult, in fear, at least one has a clearer sense of what’s going on. There’s an object there—a something—some sort of determinate, existential threat at hand. Taking the obj