断头台
发表于 2025-3-21 16:56:56
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Blemish
发表于 2025-3-21 23:28:08
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高度表
发表于 2025-3-22 01:59:31
Bodies in the Audience/Bodies Onstage: Intersectionalitiesis limited? While all studies of American audiences for over a century (but especially after the 1960s) depict playgoers as “educated,” this often denotes university degrees and income brackets but leaves untouched any particular investment in or understanding of the public sphere. How theatregoers
Ornament
发表于 2025-3-22 04:58:40
Walk-On: s four women and is billed as a comedy, was a favorite among Little Theatres of the 1910s and into the 1920s; it also enjoyed productions across a seventy-plus-year span. This chapter explores the cultural assumptions and dramaturgical workings that made it a success in its day and goes on to consid
Infect
发表于 2025-3-22 09:59:40
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MOCK
发表于 2025-3-22 14:52:44
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上涨
发表于 2025-3-22 18:50:07
From the Insiders whose awareness is intact, even in the face of impaired memory or speech function. Stroke is the second most common cause of dementia (after Alzheimer’s Disease). Arthur Kopit’s 1978 . depicts the effects of a stroke on a seventy-something former wingwalker (an aerial performer barnstorming in th
LAPSE
发表于 2025-3-23 00:22:28
Inside (and) Out: “Who Exactly Am I?”—is troubled by the increasingly kaleidoscopic perceptions of its protagonist, whose grip on what is too often unproblematically called “reality” is shifting, as reflected in changing scenery and characters who may or may not be the people the main character says they are. In other words, not only pe
Perennial长期的
发表于 2025-3-23 04:33:57
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encomiast
发表于 2025-3-23 05:50:52
Family Affairsmily is African American and .’s is secular Jewish. Both plays ran in New York in 2015 and . has had many revivals in other American cities into the 2020s. . foregrounds the role of embodiment in achieving empathy; . suggests that “accuracy” regarding the past is not the only function that memory se