传家宝 发表于 2025-3-21 18:45:29
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Wanting More: Gender, Space and Desire in , and ,,desire to have more. Each of these characters wants to broaden their experience of what it means to be a woman in 1960s Britain, and in all cases society refuses to comply. In these films, London is a site upon which their desire is fuelled and frustrated by the real—and the culturally mythologised—elements of mid-1960s social and cultural change.伙伴 发表于 2025-3-22 03:51:59
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London Can Take It: Documentary Reconstructions of the City, (1942), . (1944), and . (1946), this chapter examines these strategies and the use of urban space to mobilise the nation. It argues that these films construct images of wholeness from fragments of a bombed landscape and, more broadly, considers documentary as a process of excavation, reconstruction, and reimagining of the familiar.Ejaculate 发表于 2025-3-22 13:17:29
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Book 2017therwise) for public debate. Individual essays explore films ranging from the earliest actualities of the late nineteenth century to contemporary blockbusters. The book will appeal to film scholars and students, as well as to readers interested in the history of London and its changing image..领先 发表于 2025-3-23 00:57:59
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From the Docks to Notting Hill: Cinematic Mappings of Imperial and Post-Imperial London,ffers a comparative and textual analysis of the representational spaces these two very different actors inhabited in their films. This approach cuts across traditional chronologies of British cinema history to shed light on dynamic processes of cross-cultural exchange and shifting definitions of black stardom.巧思 发表于 2025-3-23 08:01:42
978-3-319-87916-1The Editor(s) (if applicable) and The Author(s) 2017