INCUR
发表于 2025-3-25 05:33:04
Alienated Girlhood in Works by Christabel Coleridgeectful of the social and familial forces that can work to frustrate the untrammelled exercise of these qualities. Because her ambivalence about the struggle between girls’ desire for autonomy and the larger community’s desire to contain these energies is the wellspring of her oeuvre, reading Colerid
decipher
发表于 2025-3-25 07:58:55
“To a Joyous Land”: Nature and Gender in Kate Greenaway’s an. While I agree with Anya Krugovoy Silver that Greenaway presents a “sentimentalized piper” whose actions are “heroic and loving” (40), I approach Greenaway’s version and piper through an ecocritical—particularly ecofeminist—lens. As Mary Mellor succinctly explains, “cofeminism is a movement th
热情赞扬
发表于 2025-3-25 15:02:29
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无力更进
发表于 2025-3-25 18:50:18
Book 2024ncluding the domestic novel, school story, Robinsonade, and fantasy fiction, how literary childhoods are written and politicised, and how childhood intersects with perceptions of animals and the natural environment. The range of chapters in this collection and the texts they consider demonstrates th
MUTE
发表于 2025-3-25 23:06:33
ignificant figure not only in Italy’s postwar recovery and transformation, but also in the international and domestic cultural and social contests for the hearts and minds of Italian women..978-3-030-47827-8978-3-030-47825-4Series ISSN 2635-2931 Series E-ISSN 2635-294X
–DOX
发表于 2025-3-26 03:19:07
Kristine Moruzi,Michelle J. Smithhing, understood here as a fictional tool which symbolizes the translational movements between different points of view. This book will be of particular interest to students and scholars of translation and interpreting, migration studies, and Italian and diasporic writing.978-1-349-69325-2978-1-137-47733-0
存心
发表于 2025-3-26 05:41:49
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resuscitation
发表于 2025-3-26 10:03:34
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Infelicity
发表于 2025-3-26 14:35:01
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defile
发表于 2025-3-26 20:00:33
Virginia Zimmermaning the shape that fascist cultural policy took in Argentina in the period between the two wars, in order to highlight, on the one hand, the multiple Argentine, Italo-Argentine, and Italian actors and material structures that accompanied this project, and, on the other, the response of the Italo-Arg