泥土谦卑 发表于 2025-3-23 11:29:59
,Sun and Diffuse Light I · Interiors Spaces,Sunlight casts a defined and contoured hard shadow in a room and on object surfaces when it reaches an interior space. The shadow’s geometry is defined by the sunlight’s entry angle.amputation 发表于 2025-3-23 15:06:46
Rooms and Indirect Lighting,Bright light entering a room indirectly — e.g. through a gap between ceiling and wall, is a special lighting situation.Sinus-Node 发表于 2025-3-23 18:25:38
,Rooms and Artificial Lighting · Fluorescent Tubes,We want to light our room with fluorescent light tubes in this chapter (Illus. 01). Multiple shadows on the floor and the peculiar light stains on the ceiling are typical for this lighting situation.Handedness 发表于 2025-3-24 02:11:53
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http://reply.papertrans.cn/59/5861/586056/586056_15.pngFAWN 发表于 2025-3-24 06:41:16
,Sun and Diffuse Light II · Interior of the Tomba Mambretti by Guiseppe Terragni,The Tomba Mambretti is an unrealized project by the Italian architect Guiseppe Terragni (1904–1943). It is a subterranean grave in which the sarcophagi of the dead lie in shelf-like spaces.极端的正确性 发表于 2025-3-24 13:07:01
,Rooms and Objects II · Spiral Staircase,Although this book is primarily about the lighting of architecture models I would like to show you at least a portion of the features Cinema 4D offers for creating your own models, since there is always a need for objects whose geometries are better designed in 3d software.barium-study 发表于 2025-3-24 16:52:06
,Texture and Object · Brick Wall,The subject of this book is light and shadow, other aspects of architectural rendering are only mentioned marginally.genesis 发表于 2025-3-24 21:16:27
Introduction,ver realized. The desire to shape the sphere of what is possible, or even the visionary aspects of a building structure on paper, canvas or on screen — the omnipresence of computers having led to an exponential increase in this desire — is the underlying motivation of this art. This makes it ever mo荨麻 发表于 2025-3-24 23:41:31
,Sun and Diffuse Light III · Exterior of the Tomba Mambretti by Guiseppe Terragni,atmospherically appropriate relationship between diffuse and directed daylight — Illustration 01 shows a possible result. Since the object is a more complex architecture model, part of your task will be to prepare the imported CAAD structure for your light setup, which makes this a review and practi