近地点
发表于 2025-3-21 16:44:31
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激励
发表于 2025-3-21 20:34:08
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covert
发表于 2025-3-22 03:32:18
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agenda
发表于 2025-3-22 05:45:55
Eduardo D. Faingoldng on a wooden pew. Even in classical concerts kettledrum and double bass are sensed not only with our ears. The air-borne sound causes seat vibrations or excites the skin surface directly. For some instruments (e.g. an organ) structure-borne sound is transmitted directly from the instrument to the
不能和解
发表于 2025-3-22 12:31:25
Eduardo D. Faingoldon) perception. Therefore, position information can be distorted, especially along the z-axis. In this paper, virtual grids using haptic and auditory feedback are proposed to complement ambiguous visual depth cues. This study experimentally investigates the influence of virtual grids on position ide
configuration
发表于 2025-3-22 13:04:54
ontrol, virtual reality, and human computer interaction. If we try to identify the origins of haptics research, it can be said to have emerged from the teleoperator systems of the late 1940s. In these initial explorations, increasing the transparency level of the mechanical master/slave manipulator
拥护
发表于 2025-3-22 17:19:23
Eduardo D. Faingolds etc. Another reason for growing interest in recent years is the importance of the vibrations generated by the performance of music for multimedia reproduction systems. There is a strong relationship between the frequency of the auditory stimulus and the frequency of the tactile stimulus, which sim
表状态
发表于 2025-3-22 23:12:07
Eduardo D. Faingoldntent. This study concerns to what extent it is possible to perform the same differentiation considering vibratory tactile stimuli. Three perceptual experiments have been carried out in an attempt to compare discrimination thresholds in terms of spectral differences between auditory and vibratory ta
谆谆教诲
发表于 2025-3-23 05:02:09
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乞丐
发表于 2025-3-23 07:49:38
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