次要
发表于 2025-3-21 18:19:14
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特别容易碎
发表于 2025-3-22 00:05:03
The Editor(s) (if applicable) and The Author(s) 2015
IRK
发表于 2025-3-22 02:17:51
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Sedative
发表于 2025-3-22 07:29:39
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宿醉
发表于 2025-3-22 12:07:33
Book 2015Vaudeville is often viewed as the source of some of the crude stereotypes that positioned the Irish immigrant in America as the antithesis of native-born American citizens. Using primary archival material, Mooney argues that the vaudeville stage was an important venue in which an Irish-American identity was constructed, negotiated, and refined.
漫不经心
发表于 2025-3-22 16:20:56
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LUMEN
发表于 2025-3-22 18:33:19
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滔滔不绝地讲
发表于 2025-3-23 01:00:47
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有恶意
发表于 2025-3-23 01:48:49
,Performing Irishness at Tony Pastor’s Opera House, 1865–1874,owery, Tony Pastor’s Opera House was located in what from the 1840s was a predominantly poor, working-class area largely populated by African Americans and German and Irish immigrants. By the time of the Civil War, the Bowery was “a mecca for saloons, gambling parlors, opium dens, flophouses, brothe
Arthritis
发表于 2025-3-23 08:12:31
Representations of Irish Masculinity in Vaudeville,nation and national identity on the other. Not only is the nation state a largely masculine and patriarchal entity, with men at the heart of government and the military, but as Nagel argues, nationalist culture “resonate with masculine cultural themes.” Central to ideas of national identity are t