压迫 发表于 2025-3-27 00:30:56
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Language, Telenovelas, and Citizenship: A Mexican Immigrant’s Exploration of First-Generation Americappeals to and offers portrayals of immigrants, including first-, second-, and third-generation Americans, through multi-dimensional characters and storylines. In this chapter, I draw on Andrea Pitts’ (.) discussion of Gloria Anzaldúa’s . to illustrate how media portrayals of Latinas in . have shapeExplicate 发表于 2025-3-27 07:23:59
Mixing and Re-making: The Identity of Second-Generation Bangladeshis in the United Statestheir parents’ desire to hold on to their original home culture, and gender, class, and generational divides within the familiy and the community. Second-generation youths of Bangladeshi descent strongly associate with a generic south Asian identity, ., which originates from cultural traditions andexpansive 发表于 2025-3-27 11:39:34
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Rebuilding the American Dreamtives as model minorities through examining the complexities of assimilation, imprisonment, and the challenges Japanese Americans faced, using the Nakano family’s intricate history as an example. . is a film about a Japanese American family imprisoned in the Topaz Relocation Camp in Utah and the rolMinikin 发表于 2025-3-27 19:58:39
Omotayo O. BanjoOne of the first volumes to concentrate on both foreign-born Americans and U.S. born children of immigrants in relation to representation in film and media.Examines how second-generation Americans engMhc-Molecule 发表于 2025-3-27 23:59:53
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https://doi.org/10.1007/978-3-030-75311-5identity; media; representation; audience reception; cultural identification; autoethnography; ethnographiinterrogate 发表于 2025-3-28 06:50:03
978-3-030-75313-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature SwitzerlFlatus 发表于 2025-3-28 14:17:32
Ambivalence and Contradiction in Digital Distribution: How Corporate Branding and Marketing Dilute tdly destabilized problematic legacy industry practices and illustrates how paratextual representations and corporate discourses are increasingly contradictory in a complex, conglomerated media environment.