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Imaging Religion in Film978-1-137-01324-8Series ISSN 2634-6079 Series E-ISSN 2634-6087vitrectomy 发表于 2025-3-22 01:10:39
Introduction: Interpreting Religion and Filmhn Woo’s . (1997) in order to exemplify both the pedagogy of self I outlined in the Preface and the theoretical assertions I delineate in more detail in Part II of the book; and third, I offer a discussion of the book’s subtitle, “The Politics of Nostalgia.” Finally, I delineate the basic structure of the book’s chapters.BUCK 发表于 2025-3-22 04:43:32
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Book 2011This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film‘s social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa‘s Dersu Uzala ; Kiarostami‘s Taste of Cherry ; and the Coens‘ The Man Who Wasn‘t There .PHON 发表于 2025-3-22 13:22:53
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