兽群
发表于 2025-3-26 21:18:14
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outskirts
发表于 2025-3-27 01:57:32
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假装是你
发表于 2025-3-27 05:28:05
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Melanoma
发表于 2025-3-27 11:52:40
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小争吵
发表于 2025-3-27 14:30:53
Michael Seidenbusch,Veronika Rösenberger,Karl Schneiderribution needs to be better understood. I want to show here that Stoker draws us forcefully back to the most basic foundations of ‘Gothic’ fiction and theatre, especially in ., while simultaneously offering a ‘zone of horror’ that vividly harbours a host of anxieties basic to Anglo-European, white m
一窝小鸟
发表于 2025-3-27 20:31:40
Michael Seidenbusch,Veronika Rösenberger,Karl Schneider old I never knew what it was to stand upright’ (. I: 31). This produced a particularly intense exposure to the company of his mother, Charlotte, and the horrific stories she told of her childhood in Sligo at the time of the cholera epidemic, some of which were highly dramatic: Stoker’s great-nephew
军火
发表于 2025-3-28 01:01:54
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Offensive
发表于 2025-3-28 04:48:25
Michael Seidenbusch,Veronika Rösenberger,Karl Schneidergenre. Like the Count, the Gothic encompasses and has manifested itself in many forms. Bram Stoker and the Gothic demonstrates how Dracula marks a key moment in the transformation of the Gothic. Harking back to early Gothic‘s preoccupation with the supernatural, decayed aristocracy and incarceration
entreat
发表于 2025-3-28 07:34:45
Michael Seidenbusch,Veronika Rösenberger,Karl Schneider1917. This port town of North Yorkshire had been a favourite holiday retreat of Gerald’s father, the cartoonist and writer, George du Maurier. In the 1880s and 1890s George and his wife Emma frequented Whitby with their five children, the youngest of whom was Gerald. But by 1917, Gerald’s only broth
小故事
发表于 2025-3-28 11:54:09
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