Grasping 发表于 2025-3-23 12:13:15
,Introduction: Started from the Bottom…,w wave of politicization in rap music. Using the election as a backdrop, Oware provides an overview of the key components of hip hop culture—breakdancing, graffiti writing, and rapping—turning an eye towards three figures who frame the topical areas within the monograph: Afrika Bambaataa, Sylvia Robfulmination 发表于 2025-3-23 16:31:41
http://reply.papertrans.cn/47/4601/460003/460003_12.pngEtymology 发表于 2025-3-23 20:08:14
The Hybrid Rapper,pular male rappers from 2005 to 2015 reveals the continued presence of the . themes of braggadocio, misogyny, and violence that dominated the genre in the 1990s. However, Oware finds fewer instances of homophobic references than expected. Finally, the author uncovers references where males express cpester 发表于 2025-3-23 23:24:43
http://reply.papertrans.cn/47/4601/460003/460003_14.pngGET 发表于 2025-3-24 05:47:22
Coming Straight from the Underground,dependent rap is free of the misogyny, violence, and materialism found in popular rap. However, Oware reveals that male and female underground artists mimic the lyrics of mainstream rappers. Related to the topic of race, underground white rappers as a group engage in .—an avoidance of race-related sSTYX 发表于 2025-3-24 06:41:34
The Queer Emcee,appers through case studies. Chart-topping artists such as lesbian rapper Young M.A and Nicki Minaj provide opportunities for an in-depth exploration of the history and contemporary experiences of LGBTQ emcees in rap. These artists openly discuss same-sex desire in their music, a move that dares toarcane 发表于 2025-3-24 13:13:22
http://reply.papertrans.cn/47/4601/460003/460003_17.pngASSET 发表于 2025-3-24 17:18:17
http://reply.papertrans.cn/47/4601/460003/460003_18.png葡萄糖 发表于 2025-3-24 21:19:13
http://reply.papertrans.cn/47/4601/460003/460003_19.pngOligarchy 发表于 2025-3-25 01:59:22
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