强行引入
发表于 2025-3-26 20:58:38
Christianitythe coincidence of ancient Greek and Christian religion gives rise to a new and fascinating form of poetic syncretism, as witnessed in the elegy .. But the psychological core of Hölderlin’s relationship to Christianity (which is concealed finally in the poet’s relationship to a selfish, monetised mo
Apraxia
发表于 2025-3-27 05:07:14
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FACT
发表于 2025-3-27 06:50:14
Tulasi Satyanarayana,Gotthard Kunzerojected onto the public stage. The chapter concludes by turning to one of the most striking, concentrated instances of this double-transformation in the opening verses of the tragedy that Hölderlin translates just before he composes his most meaningful poems: Euripides’ ..
ear-canal
发表于 2025-3-27 12:59:23
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Suppository
发表于 2025-3-27 16:06:29
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Fresco
发表于 2025-3-27 18:52:49
https://doi.org/10.1007/978-1-4939-9782-4 Pindar, and (3) the first 24 lines of Euripides’ Bacchae. Now the power with which Hölderlin confronts competing Dionyisac and monetised/visualised chronotopes, as articulated in Part I, begins to become clear.
沟通
发表于 2025-3-27 23:17:39
https://doi.org/10.1007/978-1-349-11916-5e tyrant (unconsciously) initiates a mystical revelation of the truth (and horror) of his own blindness. To conclude, the chapter shows how this unparalleled retrieval of Dionysian Greece reappears in Hölderlin’s final poems and his last years of lucidity.
无政府主义者
发表于 2025-3-28 05:12:58
https://doi.org/10.1007/978-1-349-23757-9that is, language that speaks only of abstract, superficial images that promote individual profit—is made clear by Hölderlin’s Dionysian description of modern money-tyrants who peer through “he telescope […] and coun ./.[.] ..”
avulsion
发表于 2025-3-28 07:48:15
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揉杂
发表于 2025-3-28 12:21:04
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