Middle-Ear
发表于 2025-3-26 22:54:56
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暖昧关系
发表于 2025-3-27 02:29:36
Singers and Creativity in , and of opera in London faced some uncertainty. Handel had introduced English oratorios into his theatre programmes in the early 1730s and from 1733 he faced new competition from a second opera company in London, often referred to as the Opera of the Nobility, which was led by the castrato Francesco Bern
GULLY
发表于 2025-3-27 06:34:00
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resilience
发表于 2025-3-27 13:06:34
Sorcery in the Libretto of Handel’sby Samuel Humphreys but does not name the author of the Italian original. In the German Handel Society edition of the opera (1881) Friedrich Chrysander stated that the libretto was based on Grazio Braccioli’s .,. which was set to music by Giovanni Antonio Ristori (1713), Antonio Vivaldi (1727) and
Metamorphosis
发表于 2025-3-27 16:55:09
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CRAFT
发表于 2025-3-27 20:41:01
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FUME
发表于 2025-3-28 00:09:50
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巧办法
发表于 2025-3-28 03:43:11
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Pepsin
发表于 2025-3-28 06:32:38
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Systemic
发表于 2025-3-28 10:59:22
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