树上结蜜糖
发表于 2025-3-23 11:40:30
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STAT
发表于 2025-3-23 16:09:42
https://doi.org/10.1007/978-3-658-34748-2oth Goethe’s literarizing model, machining the actor to textual ., and Schiller’s theatre of . (spiritualization) and its kinaesthetic spectatorial identification, problems extended and redefined by their major successor, Brecht.
seruting
发表于 2025-3-23 18:34:07
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过多
发表于 2025-3-24 01:58:19
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SPER
发表于 2025-3-24 04:13:37
Book 2020d disciplines of literary, drama, theatre, and performance history and studies today. From Aristotle onward, theatre has been regulated by three strains of critical .poiesis:. the .literary,. segregating theatre and the practices of the spectacular from the humanizing work attributed to the book and
Lasting
发表于 2025-3-24 07:34:57
erformance into the dominant understanding of the arts todayThis book examines the appropriation of theatre and theatrical performance by ideologies of humanism, in terms that continue to echo across the related disciplines of literary, drama, theatre, and performance history and studies today. From
Verify
发表于 2025-3-24 13:15:06
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BILIO
发表于 2025-3-24 17:12:10
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从属
发表于 2025-3-24 21:56:18
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Harpoon
发表于 2025-3-25 01:18:04
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