ADORN
发表于 2025-3-23 10:05:27
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原告
发表于 2025-3-23 15:16:51
The Right to Nature: Contested Landscapes and Indigenous Territoriality in , (2016),us ethnocide. It discusses these issues in relation to the depiction of indigenous contested landscapes, portrayed through a historical account of the struggle of the Guarani-Kaiowá groups in the state of Mato Grosso do Sul, in Brazil. The chapter argues that, through a historical prism that problem
带来墨水
发表于 2025-3-23 18:21:07
Urban Occupations: Cinema and the Struggle for the Right to Housing,ions of cinema that go beyond the consecrated forms, such as documentary or fiction films. It focuses on a cinema that has urgency as one of its principal characteristics and embraces the circulation of images as unedited videos, interviews, recordings of demonstrations, public lessons or even as a
colostrum
发表于 2025-3-24 01:20:59
The Art of the Social Movement Corrective: On Redeeming the Human Rights Narrative in , and ,eral, global production structures. It juxtaposes the production processes and narrative forms of two contemporaneous films about the Bolivian Water Wars in early 2000: . (IcíarBollaín, 2010) and . (David Gordon Green, 2015). The chapter examines how both films metafictionally depict this social mov
Dedication
发表于 2025-3-24 04:09:06
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Aphorism
发表于 2025-3-24 08:24:02
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meritorious
发表于 2025-3-24 10:50:22
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GRE
发表于 2025-3-24 17:14:17
Human Rights, Social Movements and Activism in Contemporary Latin American Cinema
inclusive
发表于 2025-3-24 20:02:21
Human Rights, Social Movements and Activism in Contemporary Latin American Cinema978-3-319-96208-5
担忧
发表于 2025-3-25 01:02:52
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