Tinea-Capitis 发表于 2025-3-26 20:57:52
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Chapter 3: From Carnival to ,: Ships, Dogs, Fools, and the ,,ury. It contains a long section on hypocrisy and calumny (slander). Texts explored include Bosch and Bruegel’s paintings, Rabelais (and Bakhtin on Rabelais), Julia Kristeva’s . for the concept of abjection and its relation to carnival, and Falstaff in Shakespeare’s . plays, before a look at the cons委派 发表于 2025-3-27 08:52:12
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Chapter 5: Masks, Doubles, Nihilism,e of Satan, with reference to several Hoffmann texts, and James Hogg, and Maturin. It discusses the double, and leads from there into a discussion of the double as the threat of nihilism, a concept it explores. There is also a lengthy discussion of . and of Molière.Employee 发表于 2025-3-27 17:41:59
Chapter 6: Goethe: , and Modernity,the subject of modernity, and seeing both Faust, and Mephistopheles, as instances of both. There are also digressive passages on George Eliot, and Klaus Mann’s ., and some comments on the ‘banality of evil’.Rankle 发表于 2025-3-27 19:26:34
Chapter 7: Dostoevsky: Murder and Suicide,eature’, and through the characters Kirillov and Stavrogin in his novel .. The fullest analysis, however, is reserved for ., of which this chapter attempts to give a close reading in terms of its diabolism. Drawing on Bakhtin, the chapter takes issue with many ‘traditional’ and Christian readings ofphotophobia 发表于 2025-3-28 01:25:48
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Experience an Integrated Approach: Combining Sustainability and Aesthetic Quality with Inclusivenesse architectural scale. In the second part, the authors pay attention to the role of green systems in the reconfiguration of urban morphology for the aesthetic quality of cities, with reference to the urban fabrics scale. In the last part, the authors highlight how green networks can contribute to thObsequious 发表于 2025-3-28 09:51:33
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