Emg827
发表于 2025-3-25 04:38:37
,‘The Death of the Lion’: James’s ‘Martyr of the Artistic Ideal’,r the years he came to think of it as a specific predecessor and companion piece of ‘The Next Time’. In both he presented a public ignorance and cruelty so great as to cause the exhaustion and death of the writer. These stories are companion pieces also in their portrayal of the contrasting efforts
incisive
发表于 2025-3-25 08:47:48
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Asseverate
发表于 2025-3-25 11:42:19
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平息
发表于 2025-3-25 16:54:48
,The Ironic Figure in ‘The Figure in the Carpet’, a Jamesian than F. O. Matthiessen found the story ‘overly ingenious’ and ‘fresher in intention than in effect’ (. 1953, p. 16). Despite James’s often-quoted claim in the Preface to Volume XV that his aim in the story was to ‘reinstate analytical appreciation’, his idea did not develop from the ange
Vasodilation
发表于 2025-3-25 20:54:28
The Portrait Refined: Six Miniatures,riter-critic. All preceded closely or were contemporaneous with his completion of . in late 1900. All but one, ‘John Delavoy’ (1898), he included in the New York Edition. Two others he included in Volumes XVII and XVIII, respectively, rather than in the group of stories about writers and critics tha
Femish
发表于 2025-3-26 02:20:21
,Integrative Experience in ‘The Great Good Place’,p and, in a dream, come to understand that what he had dreamed of doing with his life was what he had, in fact, done (., p. 122). In the dream, the great longing of his life would be satisfied. James omitted the dream from ‘The Middle Years’ but returned to it as the central element of a later story
Accolade
发表于 2025-3-26 07:08:53
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AMPLE
发表于 2025-3-26 12:12:24
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形状
发表于 2025-3-26 14:38:45
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Etymology
发表于 2025-3-26 17:43:14
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