无弹性
发表于 2025-3-23 11:32:43
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上腭
发表于 2025-3-23 16:33:33
Three Women and His Art (Part One): Elizabeth Maguire’s , (2008), Emma Tennant’s , (2002) and Lynne Maguire’s representation of James’s writing as impelled by the closet, Tennant’s critique of his ambiguous relationship with biographical enquiry and Alexander’s use of Alice as a ‘Judith Shakespeare’ to reveal the importance of James’s gender.
江湖郎中
发表于 2025-3-23 18:10:06
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optional
发表于 2025-3-24 00:59:38
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平息
发表于 2025-3-24 03:31:47
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断言
发表于 2025-3-24 07:19:20
‘The Real Thing?’: Cynthia Ozick’s , (2010) and Michiel Heyns’s , (2012) Heyns’s fears about the legitimacy of his engagement. This is then redeemed by analysis of Heyns’s queering of ., which invigorates the source text and contributes to an evolving critical discussion.
Cuisine
发表于 2025-3-24 14:01:50
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apropos
发表于 2025-3-24 17:17:54
https://doi.org/10.1007/978-3-030-31650-1Appropriation; Biofiction; Queer; Feminist; Adaptation
臭名昭著
发表于 2025-3-24 22:30:44
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诱骗
发表于 2025-3-25 02:13:55
978-3-030-31652-5The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl