极大
发表于 2025-3-21 17:38:48
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PRO
发表于 2025-3-22 00:14:16
,Genre as Pastiche in Women’s Filmmaking, in the book, that is, notably as they intersect with questions of gender. It discusses the imbrication of genre and pastiche with the culturally feminised sphere of emotion. As well as drawing on the work of Torben Grodal and Richard Dyer, it dialogues with more recent scholarship in (queer) affect
interlude
发表于 2025-3-22 02:34:32
Pastiching the Popular,to emotive or intellectual categories. These evolve from chick-flick remakes focused on love and the domestic sphere to the ‘masculine’ war film via the notionally gender-ambivalent territory of teenpics and teen fantasy or Gothic, which in itself gives the lie to rigid distinctions. Harrod evaluate
种植,培养
发表于 2025-3-22 05:22:01
Art Imitating Life Imitating Art,ralities, from the War on Terror to the USA of the 1960s and 1970s to eighteenth-century Europe. Harrod argues that the films examined in this chapter signpost the generic nature of human experience of the social world in a fashion that is significant across racial, gender and other identity categor
Negotiate
发表于 2025-3-22 10:05:57
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MITE
发表于 2025-3-22 15:31:46
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萤火虫
发表于 2025-3-22 17:41:59
Mary Harrod February of 1585 he was still living in Stratford-upon-Avon, the town of his birth. He was not quite 21 years old (born, perhaps, on 23 April 1564, baptized, certainly, on 26 April), the father of new-born twins Hamnet and Judith, who were christened on 2 February of that year, as well as of Susann
LATE
发表于 2025-3-22 21:13:07
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宿醉
发表于 2025-3-23 03:54:51
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Intersect
发表于 2025-3-23 07:23:01
Mary Harrodperbolic paraboloid forms one continuous surface, which distinguishes it from other such applications that are attained by combining different parts of hyperbolic paraboloids. The saddle-type hyperbolic paraboloid structure has no joint lines marking the connections of different parts and has a unif