dejected 发表于 2025-3-21 17:49:44

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相信 发表于 2025-3-21 21:31:21

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LAITY 发表于 2025-3-22 04:04:59

more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another. .978-3-030-31891-8978-3-030-31889-5

Rheumatologist 发表于 2025-3-22 04:53:51

Book 2019tram Shandy.. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another. .

庄严 发表于 2025-3-22 09:21:49

Book 2019and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its

mosque 发表于 2025-3-22 13:06:07

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Bravura 发表于 2025-3-22 17:48:39

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无辜 发表于 2025-3-23 00:25:01

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ABIDE 发表于 2025-3-23 04:03:43

Horse (Why Is There Something Else Rather Than Something?),the narrative and representation of subject-hood and object-hood. A close reading of Kurosawa’s film . in which the loaded signifier “gun” is an object of fascination as object, image, word, and idea. Followed by a coda in which a horse returns with its horseman thrown.

使乳化 发表于 2025-3-23 06:32:28

Human (Being),reme, literal replication for the sake of appearing to be impossibly real twice-over onstage. A man gives birth to .self in ., and a pair of fictional characters in Assayas films perform versions of themselves before the fact.
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查看完整版本: Titlebook: Heidegger and Future Presencing (The Black Pages); Spencer Golub Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusiv