环形
发表于 2025-3-25 05:49:39
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LIMIT
发表于 2025-3-25 08:08:50
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Cerebrovascular
发表于 2025-3-25 14:53:40
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点燃
发表于 2025-3-25 16:15:16
Spectrality, S(p)ecularity, and Textuality: Or, Some Reflections in the Glassbeit in different ways, on the idea of spectrality, specularity, ghosts, the dead, and the living. The historical pull of the past, the configuration of the present through the timeworn lens, and the melancholic nostalgia which is always a foreboding of our own mortality are each (dis)embodied in ou
JOG
发表于 2025-3-25 23:34:53
Repetition and Eternity: The Spectral and Textual Continuity in Michèle Roberts’s ictorian world, among which are: religious . and the dilemmas of science; the impact of the Industrial Revolution; emerging discourses of sexuality, illness, and medicine; the mysteries of the Victorian underworld; nineteenth-century technology; and women’s emancipation. It thus seems logical that a
dowagers-hump
发表于 2025-3-26 04:11:38
The Maid, the Master, her Ghost and his Monster: , and emotionally or sexually charged relationships with their master; both masters die an untimely death. In addition, both maids tell their own story, and this retelling is sometimes prompted in each case by a doctor who has a degree of authority over the heroine. The heroines experience childhood pover
滔滔不绝地说
发表于 2025-3-26 08:11:38
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伪造者
发表于 2025-3-26 11:45:05
The Haunting of Henry James: Jealous Ghosts, Affinities, and cifically on the neo-Victorian imagination. As Cora Kaplan (2007, p. 65) has noted, the genre of biofiction has had particular resonance: Emma Tennant’s . (2002), Cólm Toíbin’s . . (2004), and David Lodge’s . (2004) all invest in what John Freedman (1998, p. 1) has called ‘the moment of Henry James’
使无效
发表于 2025-3-26 13:56:25
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骨
发表于 2025-3-26 19:45:02
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