Thymus 发表于 2025-3-30 08:21:19
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,Kostüm,nd Dekor, Licht, Schauspiel – regelrecht ‚verweben‘. Erst durch die Kombination beider Ansätze, so das methodologische Plädoyer des Beitrags, lassen sich die komplexen Sinn- und Sinnlichkeitsangebote des Filmkostüms in ihrem Zusammenspiel erfassen. Diese doppelte Herangehensweise wird am Beispiel voHyperalgesia 发表于 2025-3-30 22:39:08
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Jörg Sternageltiple human actors such as playwrights, performers, directors, designers, and producers but also on non-human ones such as set pieces, costumes, places of performance, cities or neighborhoods, national and international contexts, funding streams, or even invisible microbes? Once the complexity of ag披肩 发表于 2025-3-31 06:52:49
Claus Tieberal bridges between cities are actually built out of chains of very material translations. It is because of a sequence of minute associations and innumerable events of translation over a long period of time that these artists found themselves rooted in the French capital.挑剔小责 发表于 2025-3-31 10:33:05
Florian Krautkrämereatre and all that followed? The chapter ends with a detailed analysis of how Georg Lichtenberg experienced Garrick’s Hamlet and reveals how his proximity to the stage and sociable relationships with other spectators mediated his experience of this well-known ‘point’.NIP 发表于 2025-3-31 14:00:59
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http://reply.papertrans.cn/43/4228/422774/422774_59.png机警 发表于 2025-3-31 21:51:05
Stefanie Diekmannles from the past decade, including films by female and African-American directors, urban and rural perspectives, and non-heteronormative sexualities,.Actor-Network Theory at the Movies. demonstrates how the classic Teen Film canon has been regurgitated, expanded, and renewed.. . . .978-3-030-31289-3978-3-030-31287-9