transient-pain
发表于 2025-3-28 15:44:24
Stefanie Diekmannroduction to, and overview of the development and state-of-t.This book is one of the first to apply the theoretical tools proposed by French philosopher Bruno Latour to film studies. Through the example of the Hollywood Teen Film and with a particular focus on Actor-Network Theory (ANT), the book de
Intercept
发表于 2025-3-28 22:05:57
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外露
发表于 2025-3-29 01:25:36
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稀释前
发表于 2025-3-29 03:48:07
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颂扬国家
发表于 2025-3-29 08:55:18
Florian Krautkrämer tickets and secured a seat, to how they experienced plays in performance. Audiences could and did interrupt performances, but it was the space which encouraged their active engagement with each other and the stage. Consequently, they embodied ‘being there’ differently from modern audiences. Until t
Projection
发表于 2025-3-29 15:19:05
Malte Hagener,Volker Pantenburg tickets and secured a seat, to how they experienced plays in performance. Audiences could and did interrupt performances, but it was the space which encouraged their active engagement with each other and the stage. Consequently, they embodied ‘being there’ differently from modern audiences. Until t
不妥协
发表于 2025-3-29 19:04:21
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单调性
发表于 2025-3-29 22:49:48
Sarah-Mai Dangking. The chapter draws attention to the primacy of the home institution and compromise culture as main factors leading to retrenchment rather than progress in gender equality policy. Ahrens concludes with highlighting what gender equality as an EU policy field lost and won through the Roadmap.
MITE
发表于 2025-3-30 00:07:35
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抚慰
发表于 2025-3-30 05:02:51
Julian Hanichel middle classes. Dismissing Forrest and, by association, the working-class male, as a soulless animal a half century after Forrest’s theatrical prime suggests a continuing need to champion the validity and primacy of bourgeois masculine values at the expense of alternate manly visions. In this cha