翅膀拍动
发表于 2025-3-25 06:51:08
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发表于 2025-3-25 09:28:40
Methoden und Ergebnisse der quantitativ orientierten Erwachsenenbildungsforschungcharf geführte Auseinandersetzung um die wissenschaftstheoretischen Grundlagen sozialwissenschaftlicher Forschung (vgl. Adorno u.a. 1980; Blumer 1980) einer pragmatisch-vermittelnden Position Platz gemacht, wie sie z.B. von Wilson (1982) oder auch Saldern (1995) vorgeschlagen wird. Einer Position, d
Facilities
发表于 2025-3-25 11:43:04
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flex336
发表于 2025-3-25 15:59:24
Rudolf Tippelt,Aiga von Hippelections with progressive cultural politics. It discusses performances in acclaimed films ranging from . (Linklater, 2014) to . (W. Anderson, 2014) to . (P.T. Anderson, 2012), and sees different types of independent film stardom in the careers of Philip Seymour Hoffman and Edward James Olmos. It also
现晕光
发表于 2025-3-25 22:33:39
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泥瓦匠
发表于 2025-3-26 02:44:57
Hans Tietgensformance details, filmic strategies, narrative design, and aesthetic traditions. Linking . (Solondz, 1998) to avant-garde productions in the 1970s and . (P.T. Anderson, 1999) to Hollywood Renaissance approaches, it shows that analysis of performance can sharpen insights into smart cinema and films t
grenade
发表于 2025-3-26 04:49:27
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浅滩
发表于 2025-3-26 11:54:49
Horst Siebertections with progressive cultural politics. It discusses performances in acclaimed films ranging from . (Linklater, 2014) to . (W. Anderson, 2014) to . (P.T. Anderson, 2012), and sees different types of independent film stardom in the careers of Philip Seymour Hoffman and Edward James Olmos. It also
Gnrh670
发表于 2025-3-26 13:35:15
ections with progressive cultural politics. It discusses performances in acclaimed films ranging from . (Linklater, 2014) to . (W. Anderson, 2014) to . (P.T. Anderson, 2012), and sees different types of independent film stardom in the careers of Philip Seymour Hoffman and Edward James Olmos. It also
capsaicin
发表于 2025-3-26 20:12:29
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