Ardent
发表于 2025-3-25 05:20:56
Public Funding for Film and Audio-Visual Works in Europe: Key Industry Statistics 2010–20142010 and 2014. We look into three indicators more deeply: the ., . by type of source (government budgets, levies, etc.), and . by type of supported activity. We find that the number of public funding bodies in the 35 European countries covered remained equal over time. After increasing in 2011, fund
强有力
发表于 2025-3-25 07:56:47
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引水渠
发表于 2025-3-25 12:18:03
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脆弱么
发表于 2025-3-25 16:57:48
Film Funding Law in the European Union: Discussing the Rationale and Reviewing the Practicents, tax rebates, screen quotas, licencing restrictions or soft loans. Each of these tools or mechanisms for promoting and funding audiovisual projects is considered to fall within the scope of the European Union (EU)’s State aid rules. Building on existing scholarship, this chapter explores the imp
辞职
发表于 2025-3-25 21:14:32
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热心
发表于 2025-3-26 03:02:36
Exploring the “Ecosystem” and Principles of Austria’s Film Subsidy Schemes: Is Austria a “Best-Practsubsidies to film in Austria. We first take an “institutionalist” view and mainly describe the funding principles of the .. Doing so, we critically appraise the scheme’s stability in safeguarding the development of original films in the country. In the second part, we argue more theoretically, and t
conscribe
发表于 2025-3-26 08:17:55
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著名
发表于 2025-3-26 08:51:49
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relieve
发表于 2025-3-26 15:03:35
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薄荷醇
发表于 2025-3-26 19:20:36
Paul Clemens Murschetz,Roland Teichmann,Matthias Karmasinthematicians and directed many students. The volume reflects the wide spectrum of Gohberg’s mathematical interests. It consists of more than 25 invited and peer-reviewed original research papers written by his former students, co-authors and friends. Included are contributions to single and multivar