nugatory 发表于 2025-3-23 10:52:01
https://doi.org/10.1007/978-3-319-71716-6Digital Transformation; European Film Industry; Film Industry; Media Industry; Public Funding for Films;公司 发表于 2025-3-23 17:03:07
Paul Clemens Murschetz,Roland Teichmann,Matthias KProvides a comprehensive analysis of today’s film industry and its global challenges.Analyses public funding schemes for different national film industries.Presents a reference framework to evaluate pObsessed 发表于 2025-3-23 19:51:04
Media Business and Innovationhttp://image.papertrans.cn/h/image/422232.jpgneutral-posture 发表于 2025-3-24 01:55:39
The Economics of Film Financing: An Introductionuniqueness of each project, the ephemeral nature of the product and the unequal distribution of expenses on the timeline. It explores the role of risk in studio decisions and in financing arrangements, explaining why it is that sequels are the “holy grail” of movie studios and why they are not co-fiArresting 发表于 2025-3-24 03:03:27
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http://reply.papertrans.cn/43/4223/422232/422232_16.pnginstallment 发表于 2025-3-24 13:09:23
Governance, Public Interest, and Public Film Funding: An Integrative Theoretical Frameworky an integrative analytical framework for investigating social order and policy processes to the analysis of film funding policies. It integrates six dimensions of governance: ., ., . ., ., ., and .. The chapter briefly reviews the literature on the governance of culture and film and discusses the ejet-lag 发表于 2025-3-24 16:51:25
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How Financing Shapes a Film Project: Applying Organizational Economics to a Case Study in Norway investors and producers and analyzes how these relationships affect the formation and implementation of a single film project strategy. I argue that contracting problems can arise as a “natural” part of the financing process and can harm the project strategy in two important ways: (1) Through an in百科全书 发表于 2025-3-25 01:13:55
How Hollywood Applies Industrial Strategies to Counter Market Uncertainty: The Issue of Financing anide a critical review of the literature on industrial strategies of the “Hollywood system,” notably financing and exhibition. We approach our analysis from a political economy perspective that considers how these strategies, even those . directly related to actual production, influence media content