Tamoxifen 发表于 2025-3-21 17:54:36

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Blood-Vessels 发表于 2025-3-21 21:46:29

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多嘴 发表于 2025-3-22 02:47:34

https://doi.org/10.1057/9781137551634aesthetics; animation; bibliography; Britain; Great Britain; knowledge; play; television; British and Irish

怎样才咆哮 发表于 2025-3-22 05:46:55

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Anthology 发表于 2025-3-22 12:02:53

The Pastoral Past, Pogles, . Trumptonshire . The Herbs . The Wombles, . Clangers,

Desert 发表于 2025-3-22 15:10:55

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MINT 发表于 2025-3-22 20:25:56

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手榴弹 发表于 2025-3-23 00:07:16

https://doi.org/10.1007/978-94-017-5908-3t be conceptualised around warmth, intimacy, scale and memory. At the same time, such a relationship might produce disjunctive moments which undermine the flattened nostalgia through which these programmes have often been affectionately remembered.

Forage饲料 发表于 2025-3-23 02:57:39

Contexts,etched via archival research which establishes an environment of collaboration and negotiation between the BBC and independent producers of animation. Finally, the counter-cultural mood of the 1960s forms a significant backdrop against which these programmes negotiated social change.

Confess 发表于 2025-3-23 08:49:49

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查看完整版本: Titlebook: Hand-Made Television; Stop-Frame Animation Rachel Moseley Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 aesthetics.animati