归功于
发表于 2025-3-28 15:07:50
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defuse
发表于 2025-3-28 22:45:24
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glomeruli
发表于 2025-3-29 00:10:50
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insular
发表于 2025-3-29 04:33:40
https://doi.org/10.1007/978-3-030-71266-2rn of linkings and doublings. While the Ghost wears different costumes in different scenes, Claudius always looks the same, but talks differently to each person he speaks to, thinking himself into their heads. His complexity and emotional intelligence make this his tragedy as well as Hamlet’s.
得体
发表于 2025-3-29 10:48:29
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我正派
发表于 2025-3-29 14:02:56
https://doi.org/10.1007/978-1-349-20468-7), Heiner Müller’s . (1977), and my own . (2009). These plays explore to varying degrees some of the principal themes raised in Shakespeare’s text—particularly questions of power, subjectivity, Hamlet’s presumed inertia, and those frequent misogynistic outbursts expressed by the protagonist.
catagen
发表于 2025-3-29 16:01:04
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朋党派系
发表于 2025-3-29 22:00:41
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Kernel
发表于 2025-3-30 00:22:43
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TIGER
发表于 2025-3-30 05:37:18
‘For by the Image of My Cause, I See / The Portraiture of His’: , and the Imitation of Emotionpondence can involve emulation as well as imitation. The chapter argues that the emotional competition between the characters within these texts resembles the aesthetic rivalry between the authors of these texts. In this way, the period’s fascination with emotional imitation is enacted on a textual or intertextual level.