元音
发表于 2025-3-23 11:22:48
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blight
发表于 2025-3-23 15:31:48
‘Something After’?: , and Dreads it is understood in a variety of intellectual traditions, can shed light on the play’s dramaturgical structure. The ambiguous nature of dread, I suggest, reflects the central dramatic conflict of Hamlet, in which both the titular character and Claudius are locked in an affective struggle, each fea
Valves
发表于 2025-3-23 21:04:19
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最初
发表于 2025-3-24 02:03:52
‘Speech Falters Speech Flinches When Horror Lifts a Fist to It’: Action, Emotion, and Inertia in Thr the text, and those many embodied Hamlets that may be seen in performance. While there have been numerous adaptations of William Shakespeare’s ., in this essay, I focus on three plays that treat Hamlet as a marginalised and mainly reluctant player in the revenge narrative: Howard Barker’s .—. (2002
合乎习俗
发表于 2025-3-24 03:59:13
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notion
发表于 2025-3-24 07:00:06
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HATCH
发表于 2025-3-24 12:26:49
es in which the play engages with theatrical art—Hamlet’s response to the First Player’s speech, and the court reaction to .. One of the issues that Shakespeare explores in a play riddled with questions is: does tragedy make anything happen? Both defenders and detractors of the theatre postulate tha
争议的苹果
发表于 2025-3-24 18:32:10
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有害
发表于 2025-3-24 21:54:12
https://doi.org/10.1057/9780230503526to share Horatio’s ‘fear and wonder’ at the apparition. But we can acknowledge a mounting suspense as the Ghost twice vanishes and, at its third appearance, beckons Hamlet to a more remote place before revealing its mission. Solid it may be, but the Ghost knows how to make itself uncanny. Previous s
arthroplasty
发表于 2025-3-24 23:14:39
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