呻吟
发表于 2025-3-21 19:07:44
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象形文字
发表于 2025-3-21 22:48:18
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Interim
发表于 2025-3-22 04:19:17
Aneta MancewiczExamines the role of the text in stage adaptations in the postwar period.Offers a historical trajectory and practical observations about the development of postwar playwriting.Offers new critical tool
Chronic
发表于 2025-3-22 04:52:45
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crutch
发表于 2025-3-22 10:36:38
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hemoglobin
发表于 2025-3-22 13:17:10
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Horizon
发表于 2025-3-22 20:20:23
Book 2022ptation, which focuses on expanding and explaining the source. Inspired by Derrida’s deconstruction, this book introduces a new interpretative paradigm. Central to this paradigm is the idea that an act of adaptation consists in foregrounding gaps and incoherencies in the source; it is about question
CLAMP
发表于 2025-3-22 22:47:45
Introduction,forts. In the area of European Shakespeare reception, deconstruction challenges the long dominance of .’s Romantic interpretations and enriches our understanding of the play’s European significance. The Introduction has two principal aims: first, it identifies key concepts and contexts that define t
使坚硬
发表于 2025-3-23 04:38:11
Supplementree versions discussed in the Chapters 3–5 depend on a paradox: they appear to complement ., yet a closer analysis reveals that their main aim is to question their source. This paradox, inherent to the nature of supplement, defines the ways in which these three adaptations approach the source and de
施舍
发表于 2025-3-23 06:44:41
Tom Stoppardcal approach is the most noteworthy: action and inaction, memory and amnesia, as well as logic and absurdity. It is through these contrasts that Stoppard portrays the inability of the protagonists to alter their fate, which leads to the disintegration of their world and the conventions of Western dr