阿谀奉承
发表于 2025-3-21 16:57:14
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制定
发表于 2025-3-22 00:08:39
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circuit
发表于 2025-3-22 03:30:56
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larder
发表于 2025-3-22 05:36:46
https://doi.org/10.1007/978-3-211-69303-2s left/right distinction. Indeed, despite a visible crisis at the level of “political action”, ideologies (even in their clearest connotations) have never been “dead” as cultural models, and their vitality has been constantly tangible throughout the whole of popular music history, last decades included.
ALB
发表于 2025-3-22 10:36:58
Songs of Social Protest and Music, of single authors or genres, an explicit refusal for categorizations, or songs that simply elude any of the previous four types). The chapter is concluded with a summary of the whole model presented in the first four chapters of the book.
Morose
发表于 2025-3-22 15:02:20
Case Study 1: On the Left-Right Dichotomy and Its Musical Manifestations,s left/right distinction. Indeed, despite a visible crisis at the level of “political action”, ideologies (even in their clearest connotations) have never been “dead” as cultural models, and their vitality has been constantly tangible throughout the whole of popular music history, last decades included.
Morose
发表于 2025-3-22 21:04:07
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兵团
发表于 2025-3-23 00:32:48
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树上结蜜糖
发表于 2025-3-23 05:06:52
NATO’s Deterrence and Détente Effortsetween American jazz and Italian melodic tradition, which produced some of the most famous acts of the period. One of these, Alberto Rabagliati, shall be the main focus of this case study, as one of his songs—I shall argue here—carried a subtle yet clear statement of protest against the regime’s restrictions.
没有准备
发表于 2025-3-23 05:33:19
Definitions and Categorizations,t just lyrical) classification. After that, the chapter introduces the triadic theoretical model that will be thoroughly discussed in Chaps. ., . and ., and which constitutes the main analytical novelty proposed in this book: context-lyrics-music.