babble
发表于 2025-3-25 05:51:55
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改正
发表于 2025-3-25 10:10:56
Songs of Social Protest and Context, context-positioning in an SSP. Re-elaborating from Stefani (.. FuoriThema, Bologna, .), I suggest five different types of relations between an SSP and the context/occasion it is performed in or conceived for: “Specific relation”, “Indirect relation”, “General relation”, “Phatic relation” and “Parat
笨拙的我
发表于 2025-3-25 14:38:37
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一起平行
发表于 2025-3-25 17:06:29
Songs of Social Protest and Music,ions, catchy melody, etc., usually found in genres like country, world, blues, and various singer-songwriters schools), (ii) Solemn (mainstream, pop quality, lavish arrangements and big productions, typical of charity events); (iii) Aggressive (usually emerging from the underground/alternative scene
genuine
发表于 2025-3-25 23:13:42
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hurricane
发表于 2025-3-26 00:58:43
Case Study 2: The Lithuanian Singing Revolution and the Case of Antis,iet domination, with a focus on the case of Lithuania, and one of the leading bands of the period, Antis. I would like to look at this topic from two angles: the lyrical-musical one, in accordance to the analytical modes developed in this book, but also—so to speak—the institutional one, particularl
Triglyceride
发表于 2025-3-26 05:50:36
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蒸发
发表于 2025-3-26 09:44:56
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brother
发表于 2025-3-26 14:47:03
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过分自信
发表于 2025-3-26 16:59:03
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