Hoover
发表于 2025-3-21 20:03:52
书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0385757<br><br> <br><br>书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0385757<br><br> <br><br>书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0385757<br><br> <br><br>书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0385757<br><br> <br><br>书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0385757<br><br> <br><br>书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0385757<br><br> <br><br>书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0385757<br><br> <br><br>书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0385757<br><br> <br><br>书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0385757<br><br> <br><br>书目名称Gilbert and Sullivan‘s ‘Respectable Capers‘读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0385757<br><br> <br><br>
黑豹
发表于 2025-3-21 23:57:32
http://reply.papertrans.cn/39/3858/385757/385757_2.png
ADOPT
发表于 2025-3-22 02:25:40
,The West End: ‘Middle-Class’ Values and Commercialisation,f the development of West End theatre between 1843 and 1881 addresses the genesis of the D’Oyly Carte Opera Company within the booming leisure marketplace of late-Victorian London. Goron explores changes in middle-class leisure habits, and the consequent development of theatrical entertainments to m
fertilizer
发表于 2025-3-22 06:27:04
, at the Savoy,e device of a notional ‘evening at the Savoy’, featuring a visit by a typical suburban family group, is used to identify various locational, architectural, decorative and discourse-related elements related to attending Carte’s state of-the-art auditorium..Goron considers the significance of the pion
Interstellar
发表于 2025-3-22 12:31:12
,Savoy Audiences 1881–1909, a shared ideology, or whether social ‘fissures’ within a socially divided auditorium undermine societal cohesion. Analysis of the social make-up of typical first-night audience behaviour, and issues such as the expansion of the lower middle classes and the theatre-going habits of young men and wome
爱社交
发表于 2025-3-22 15:10:12
,‘The D’Oyly Carte Boarding School’: Female Respectability at the Savoy*,ained by the management. He investigates the premise that, by regulating the lives of female performers, Victorian entrepreneur Richard D’Oyly Carte created a company image which concurred with, and reinforced, the moral preoccupations of the ‘respectable’ middle classes. The chapter explores the no
爱社交
发表于 2025-3-22 20:17:11
,‘The Placid English Style’: Ideology and Performance,eras to discover whether they derived from and reflected the cultural values of the ‘respectable’ Victorian middle classes. The ‘restrained’ Savoy style is contrasted with that of the ‘low’ comedy and sexual ‘knowingness’ of contemporary burlesque to evaluate the significance of methods used at the
charisma
发表于 2025-3-22 22:48:41
Conclusion,was tainted in the public imagination with immorality, and suffered, in terms of public perception of its propriety, from the rather indefinable social status of its inhabitants. The attempts of some theatre practitioners to acquire and demonstrate the trappings of respectability (or to display what
生意行为
发表于 2025-3-23 02:59:50
https://doi.org/10.1007/978-3-642-50720-5d mores into the Savoy Theatre, and onto its stage. Goron explains the originality of his intention—an attempt to focus the methods of recent historical studies of Victorian theatre on the Gilbert and Sullivan collaboration. The Introduction explains the key concepts behind this study, particularly
失误
发表于 2025-3-23 06:09:36
http://reply.papertrans.cn/39/3858/385757/385757_10.png