Spina-Bifida
发表于 2025-3-26 21:43:36
Traude Bernert,Berta Karlik,Karl Lintnerypical first-night audience behaviour, and issues such as the expansion of the lower middle classes and the theatre-going habits of young men and women, are used to create as full a picture as possible of a ‘typical’ Gilbert and Sullivan audience in late-Victorian London.
Expostulate
发表于 2025-3-27 03:22:11
https://doi.org/10.1007/978-3-642-48605-0 burlesque and operetta are examined to assess their relationship to existing ‘middle-class’ anti-theatrical prejudice. This chapter also explores ways in which Gilbert, Sullivan and Carte positioned their product in the theatrical marketplace through a deliberate rejection of earlier musical theatre forms and conformity to ‘high-art’ tastes.
外露
发表于 2025-3-27 08:50:52
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cunning
发表于 2025-3-27 11:24:36
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现实
发表于 2025-3-27 17:27:41
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确认
发表于 2025-3-27 18:51:51
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FLEET
发表于 2025-3-27 23:02:16
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苦恼
发表于 2025-3-28 04:59:35
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VICT
发表于 2025-3-28 07:49:32
https://doi.org/10.1057/978-1-137-59478-5G&S; west-end; Victorian opera; Victorian era; theatre-going; historiography; British history; social histo
anniversary
发表于 2025-3-28 11:58:16
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