无能的人
发表于 2025-3-23 11:19:42
,When Heroes Fall: Doug Wright’s , and the Challenge to Truth,ulitzer Prize for Drama, Tony Awards for Best Play and Best Actor, Drama Desk Awards, Lucille Lortel Awards, and Obie Awards. The play tells the story of Charlotte von Mahlsdorf, a male-to-female transvestite in East Berlin. Not only did she survive Nazi and Communist rule while living as a biologic
天赋
发表于 2025-3-23 15:00:38
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受伤
发表于 2025-3-23 18:55:55
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vascular
发表于 2025-3-23 23:16:33
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葡萄糖
发表于 2025-3-24 02:47:41
2947-5600 o-political realities. The essays in this book place this work in context, exploring historical and contemporary examples of documentary and ‘verbatim‘ theatre, and applying a range of critical perspectives.978-0-230-33689-6978-0-230-23694-3Series ISSN 2947-5600 Series E-ISSN 2947-5619
CRAFT
发表于 2025-3-24 10:18:59
Group Process Oriented Interventions,e cultures in the past two decades. The upsurge in fact-based and verbatim theatre in recent years has attracted a voluminous amount of coverage in the arts pages of newspapers and websites but scholarly engagement has, to date, been limited. . seeks to fill this gap by offering the first book-length study of contemporary documentary performance.
inventory
发表于 2025-3-24 11:11:51
Introduction,e cultures in the past two decades. The upsurge in fact-based and verbatim theatre in recent years has attracted a voluminous amount of coverage in the arts pages of newspapers and websites but scholarly engagement has, to date, been limited. . seeks to fill this gap by offering the first book-length study of contemporary documentary performance.
BLAND
发表于 2025-3-24 18:34:27
Symmetry elements and symmetry operations,ritically neglected intervention into the living newspaper genre, focuses on the production’s documentary aesthetics, political imperatives and the irrepressible tensions that emerged between the two during the early months of the Second World War.
闪光东本
发表于 2025-3-24 21:28:13
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overrule
发表于 2025-3-25 02:06:41
,Mediating the 1930s: Documentary and Politics in Theatre Union’s , (1940),ritically neglected intervention into the living newspaper genre, focuses on the production’s documentary aesthetics, political imperatives and the irrepressible tensions that emerged between the two during the early months of the Second World War.