涌出
发表于 2025-3-21 18:22:25
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alcoholism
发表于 2025-3-21 21:15:15
Analytische Geometrie als Modell,le with “compulsory monogamy” in a sexual epoch much more diverse than heterosexual, monogamous sex permits. The author engages Bill Nichols’s documentary film theory to assess Reygadas’s critiques and his style. Reygadas employs the profilmic event as a stylistic device. The chapter continues the w
Cardiac
发表于 2025-3-22 01:36:09
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抚育
发表于 2025-3-22 06:50:45
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Amplify
发表于 2025-3-22 11:52:36
,I Don’t Know It When I See It: Catherine Breillat’s Pornography, to sexually explicit displays and that we should therefore do away with the notion of porn as a genre, this chapter demonstrates the genre’s shifting terrain and the merits of including Breillat within it.
节约
发表于 2025-3-22 13:22:15
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节约
发表于 2025-3-22 19:56:06
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提名
发表于 2025-3-22 21:48:17
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Criteria
发表于 2025-3-23 03:52:15
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牙齿
发表于 2025-3-23 05:55:14
Reframing Spectatorship Theory with Extreme Cinema,e perhaps been willing to grant. The chapter’s means to accomplish this is the bridge built between the theories of psychoanalysis (Lacan, Žižek, Burgin) and phenomenology (Marks). With the preceding chapters’ arguments in hand, an alternative method of building spectators into film theory and genre theory is proposed.