Indicative
发表于 2025-3-27 00:32:16
978-3-319-88125-6The Editor(s) (if applicable) and The Author(s) 2017
Noctambulant
发表于 2025-3-27 04:21:22
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偶然
发表于 2025-3-27 08:41:12
Carlos Reygadas, the Avant-Garde, and the Senses,ense conscious reality of the main characters as well as the dreams and fantasies of those characters—are immanent expressions of the film’s formal qualities. Further, the representation of these differing levels of reality offers a philosophical concept: dreams and fantasies are embodied experience
Etching
发表于 2025-3-27 11:39:59
,!Que Viva México!: Reygadas as Documentarian, of Reygadas’s . and, in minor ways, his three other feature films. The avant-garde approach and documentary aesthetics converge to generate Reygadas’s critiques of class relations and sexual difference. Principally, the director’s preoccupation with sexual difference manifests itself in a sex-dream
Accommodation
发表于 2025-3-27 16:32:12
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hereditary
发表于 2025-3-27 18:16:49
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Silent-Ischemia
发表于 2025-3-27 23:28:29
On-Screen and Off-Screen Flesh and Blood: Performance, Pornography, Spectatorship,f Marcos Hernández and Anapola Mushkadiz in Reygadas’s . (., 2005) and Roxane Mesquida’s challenging, if not traumatic, performance as Elena in Breillat’s . and its re-enactment in . (2002). The author brings together these three films, which have little in common, in order to draw attention to the
温顺
发表于 2025-3-28 05:57:49
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Endemic
发表于 2025-3-28 07:42:03
Conclusion: Know Genre, No Trouble,praisal of Breillat’s . (2013). This film matters for Breillat’s . as she is able in it to articulate convincingly her critiques of patriarchy not just for young and middle-aged women. .’s late-middle-aged protagonist struggles with the same forces of misogyny as her younger counterparts in the dire
Bureaucracy
发表于 2025-3-28 14:01:03
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