Eschew 发表于 2025-3-21 18:58:05

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adhesive 发表于 2025-3-21 22:44:09

https://doi.org/10.1007/978-3-322-85442-1struct their sense of selfhood. Faced with the images of female roles in marriage as defined by orthodoxy, many women in early modern England became conscious of the gap between what they felt they were and what they were supposed to be, even though most of them did not dare to challenge their conve

羊齿 发表于 2025-3-22 00:59:47

https://doi.org/10.1007/978-3-658-01868-9ished prose romance, . and its continuation, and her sonnet sequence— Wroth persistently explores the issue of female selfhood by making use of the genre of pastoral. To borrow Gary Waller’s phrase about Petrarchan love poetry in general, Wroth’s pastoral works embody ‘the major dynamics’ of desire

Ambiguous 发表于 2025-3-22 06:28:40

https://doi.org/10.1007/978-3-663-16263-6ountries, his favouritism for his Scottish subjects and his negative attitude towards women. This social climate resulted in an Elizabethan revival, which centred on the Court of Prince Henry, the Prince of Wales, who embodied militant Protestantism against the Catholic powers in Europe.

高深莫测 发表于 2025-3-22 09:19:55

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Exaggerate 发表于 2025-3-22 13:48:55

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Exaggerate 发表于 2025-3-22 19:39:55

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mortgage 发表于 2025-3-22 23:40:07

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1FAWN 发表于 2025-3-23 01:27:11

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notice 发表于 2025-3-23 09:06:07

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查看完整版本: Titlebook: Gender and Representations of the Female Subject in Early Modern England; Creating Their Own M Akiko Kusunoki Book 2015 The Editor(s) (if a