lexicographer 发表于 2025-3-21 16:05:00
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2730-9304 th century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as ‘elite‘ cultural objects in the film industry.978-1-349-28959-2978-0-230-11294-0Series ISSN 2730-9304 Series E-ISSN 2730-9312amnesia 发表于 2025-3-22 01:47:58
Infrared spectra of mineral speciesently it has fallen into abeyance, perhaps because the suspicion with which ideology critique viewed Shakespeare, as agent of hegemony and property of the ruling class, offered little possibility for a more complicated, even dialectical development.PRISE 发表于 2025-3-22 06:42:17
Infrarotspektrometrische Gasanalytik,e takes mass-cultural form, therefore, it cannot but be significant; hence the proliferation of Shakespearean films in the late 1990s, which might constitute an imaginary resolution to the long-standing dilemma caused by opposing high and low cultural forms and occurring even as that bifurcated model of culture falls into abeyance.amorphous 发表于 2025-3-22 10:34:38
,Pacino’s Cliffs Notes: , “Public” Shakespeare,e takes mass-cultural form, therefore, it cannot but be significant; hence the proliferation of Shakespearean films in the late 1990s, which might constitute an imaginary resolution to the long-standing dilemma caused by opposing high and low cultural forms and occurring even as that bifurcated model of culture falls into abeyance.condone 发表于 2025-3-22 13:52:55
http://reply.papertrans.cn/32/3200/319983/319983_6.pngcondone 发表于 2025-3-22 17:49:29
http://reply.papertrans.cn/32/3200/319983/319983_7.pngParaplegia 发表于 2025-3-22 23:09:23
2730-9304 th century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as ‘elite‘ cultural objects in the film industry.978-1-349-28959-2978-0-230-11294-0Series ISSN 2730-9304 Series E-ISSN 2730-9312hangdog 发表于 2025-3-23 03:10:45
http://reply.papertrans.cn/32/3200/319983/319983_9.png暂时过来 发表于 2025-3-23 06:14:57
Photozellen, Photographie, Bildwandler,Shakespeare in American culture in the years around the millennium. If, as is my premise for this study, a new conjuncture has emerged whose contours challenge received descriptions of Shakespeare’s writing as metonymous for elite culture, what, precisely, has changed? How has the concept of elitism