OCTO
发表于 2025-3-23 10:11:29
Infrarotspektrometrische Gasanalytik,dalities of interaction and splinter the heretofore dominant notion of a collective audience, it is fair to say that the twentieth century has been dominated by mass-cultural forms such as film, and thus by the mass public, whether material or fantasmatic, to whom they are addressed. When Shakespear
Noisome
发表于 2025-3-23 17:07:44
https://doi.org/10.1007/978-3-030-45081-6ich the demand that the public find pleasure in Shakespeare is countermanded by a quasi-evangelical practice, emerging from a range of sites, in which Shakespeare is inalienable from pedagogical agendas. The classroom thus occupies a contradictory position: it is the presumable source of disaffectio
致命
发表于 2025-3-23 20:48:52
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Ambulatory
发表于 2025-3-24 00:14:08
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seduce
发表于 2025-3-24 05:17:13
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Digest
发表于 2025-3-24 06:52:09
https://doi.org/10.1057/978023011294020th century; America; argue; culture; education; Enzo Paci; film; mass; twentieth century; William Shakespea
考博
发表于 2025-3-24 10:51:35
Reproducing Shakespearehttp://image.papertrans.cn/e/image/319983.jpg
雪上轻舟飞过
发表于 2025-3-24 18:51:10
Introduction: Shakespeare in Public,the realm of Shakespeare studies, where I also do my work. While topical criticism of Shakespeare flourished in the 1980s and into the 1990s, more recently it has fallen into abeyance, perhaps because the suspicion with which ideology critique viewed Shakespeare, as agent of hegemony and property of
填满
发表于 2025-3-24 20:52:58
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宽度
发表于 2025-3-25 00:31:06
,Pacino’s Cliffs Notes: , “Public” Shakespeare,dalities of interaction and splinter the heretofore dominant notion of a collective audience, it is fair to say that the twentieth century has been dominated by mass-cultural forms such as film, and thus by the mass public, whether material or fantasmatic, to whom they are addressed. When Shakespear