Monroe 发表于 2025-3-21 17:50:30

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灾祸 发表于 2025-3-21 22:14:15

,Nyāya Theory of Perception or ,: Classical Indian Theories of “Meaning” and Their Relation to Cinem” or a “thing” or a “state of affairs” appears to the perceiver and a “mode of presentation” in which the perceived appearance generates an “embodied sense” in the perceiver, an . which produces an “analytical meaning” by further analyzing the perceived item in terms of tools like inference, et cete

nautical 发表于 2025-3-22 03:24:38

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languor 发表于 2025-3-22 08:04:05

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浪费物质 发表于 2025-3-22 11:51:13

Conclusion,rn theories which primarily generated an . in order to make film discourse more responsive to both ordinary and intellectual levels of understanding the medium. To be able to do so, reconciling the paradigmatic differences between the Indian and Western theories are necessary. In this context, the f

tenosynovitis 发表于 2025-3-22 13:04:21

Gopalan MullikThe first book of its kind to apply traditional Indian theories to cinema as a means of examining film.Compares and contrasts Indian theories with Western approaches to open film theory to exciting ne

tenosynovitis 发表于 2025-3-22 20:32:44

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Provenance 发表于 2025-3-22 22:17:39

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独白 发表于 2025-3-23 02:12:01

,Ānandavardhana’s Theory of Suggestion or ,: Indian Theories of “Art” and Their Relation to Cinema, following Indian theories of art are discussed: . which deals externally with human experiences and a much deeper . which restores . truncated due to ., . and the .. In Indian theories, the . is human beings’ .

生来 发表于 2025-3-23 06:48:05

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查看完整版本: Titlebook: Explorations in Cinema through Classical Indian Theories; New Interpretations Gopalan Mullik Book 2020 The Editor(s) (if applicable) and T