一起平行 发表于 2025-3-26 21:53:09

Conclusion: Like an Open Book,as such, they might seem more receptive to a networked model of adaptation than a new work with comparatively limited adaptation history. To indicate the merit of the network model more fully, I turn to Emma Donoghue’s 2010 novel ., which she adapted to the screen for the 2015 film of the same name,

造反,叛乱 发表于 2025-3-27 04:48:19

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fodlder 发表于 2025-3-27 07:49:04

emphasizes appreciation over user interaction, whereas the other privileges the reader and posits interactivity as appreciation. I conclude the chapter with a brief look at contemporary digital literary mapping projects and consider their contribution to adaptation and adaptation networks.

放纵 发表于 2025-3-27 12:01:01

,Der Prozess der Führung von unten, Gunning’s definitions of “cinema of attractions” and “cinema of narrative integration,” I distinguish between spectacle-focused pop-up adaptations, which I call “literature of attractions,” and narrative-focused pop-up adaptations, which I call “pop-up of narrative integration.” I conclude the chap

chisel 发表于 2025-3-27 16:15:45

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小歌剧 发表于 2025-3-27 21:08:31

,Die Führungskraft als Performance Manager,as such, they might seem more receptive to a networked model of adaptation than a new work with comparatively limited adaptation history. To indicate the merit of the network model more fully, I turn to Emma Donoghue’s 2010 novel ., which she adapted to the screen for the 2015 film of the same name,

Lice692 发表于 2025-3-27 22:33:18

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使痛苦 发表于 2025-3-28 04:48:27

https://doi.org/10.1057/9781137268938capitalism; culture; energy; ethics; event; logic; Materialism; Orient; politics; religion; understanding; reli

FLIRT 发表于 2025-3-28 10:01:20

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