一起平行 发表于 2025-3-26 21:53:09
Conclusion: Like an Open Book,as such, they might seem more receptive to a networked model of adaptation than a new work with comparatively limited adaptation history. To indicate the merit of the network model more fully, I turn to Emma Donoghue’s 2010 novel ., which she adapted to the screen for the 2015 film of the same name,造反,叛乱 发表于 2025-3-27 04:48:19
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emphasizes appreciation over user interaction, whereas the other privileges the reader and posits interactivity as appreciation. I conclude the chapter with a brief look at contemporary digital literary mapping projects and consider their contribution to adaptation and adaptation networks.放纵 发表于 2025-3-27 12:01:01
,Der Prozess der Führung von unten, Gunning’s definitions of “cinema of attractions” and “cinema of narrative integration,” I distinguish between spectacle-focused pop-up adaptations, which I call “literature of attractions,” and narrative-focused pop-up adaptations, which I call “pop-up of narrative integration.” I conclude the chapchisel 发表于 2025-3-27 16:15:45
http://reply.papertrans.cn/32/3187/318673/318673_35.png小歌剧 发表于 2025-3-27 21:08:31
,Die Führungskraft als Performance Manager,as such, they might seem more receptive to a networked model of adaptation than a new work with comparatively limited adaptation history. To indicate the merit of the network model more fully, I turn to Emma Donoghue’s 2010 novel ., which she adapted to the screen for the 2015 film of the same name,Lice692 发表于 2025-3-27 22:33:18
http://reply.papertrans.cn/32/3187/318673/318673_37.png使痛苦 发表于 2025-3-28 04:48:27
https://doi.org/10.1057/9781137268938capitalism; culture; energy; ethics; event; logic; Materialism; Orient; politics; religion; understanding; reliFLIRT 发表于 2025-3-28 10:01:20
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