工作
发表于 2025-4-1 03:41:43
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冰雹
发表于 2025-4-1 06:56:11
European Co-productions in a Digital Single Market: EUtopia or Dystopia?ses over whether or not the existing film model can adapt to the rapid technological changes. The debate also echoes earlier quarrels over the film industry’s inherent tension between commerce and creativity.
Bph773
发表于 2025-4-1 11:34:30
The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policylopments at firms such as Studiocanal, Pathé and Wild Bunch, among others, and examines the implications of these changes for Europe’s co-production policy regime, which has long been predicated on the need to overcome the fragmentation of the European industries.
BARB
发表于 2025-4-1 17:46:40
International Co-production of Nordic Television Drama: The Case of cent changes through a qualitative case study of the Danish-French co-production set-up behind the high-end drama serial . (2017–), focusing on the perceptions of strengths and challenges as well as questions of creative control in this particular set-up among the Danish partners (The Danish Broadcasting Corporation (DR) and SAM Productions).
昏迷状态
发表于 2025-4-1 20:44:03
The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearte new production patterns. For all these reasons, the number of international co-productions with Italy is stable and has not been influenced by the evolutions of national/local laws of the past few years. Of course, virtuous exceptions exist, as Paolo Sorrentino’s films demonstrate.